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Slasher: the stalk-and-kill subgenre, defined

Slashernoun

A slasher is a horror film in which a killer, often masked, stalks and murders a group one at a time until a lone survivor confronts them.

A slasher is a horror film built on a killer who stalks and murders a group of people one at a time, usually with a blade and often behind a mask, until one survivor turns and fights. It is the most formulaic subgenre in horror and, for that reason, the one most fun to argue about.

Where it comes from

The ancestors are Psycho (1960) and the Italian giallo, which supplied the gloved killer and the set-piece murder. Black Christmas (1974) put the killer in a house full of young people. Halloween (1978) fixed the formula: a suburb, a date on the calendar, a silent killer, a final girl, and a score that tells you he is behind her. Friday the 13th (1980) added the body count and the practical gore; A Nightmare on Elm Street (1984) added a killer who talks. By the late 1980s the formula was so familiar that Scream (1996) could make a hit out of its characters knowing the rules.

The cycle keeps restarting. The 2000s remakes, the Terrifier films, and the recent return of long-running franchises each find new audiences for the same architecture.

Why it matters

Slashers are where horror learned to build suspense in the open. You know the killer is coming; the question is only when and from where. That makes them the purest test of craft in the genre: two directors with the same script will produce a tense film and a dull one. They are also, as a set, the most rankable horror there is, since the films share so much that comparing them is natural.

In Gasper

Slashers is a Discover shelf, resolved from TMDb keywords, next to Teen Horror and Serial Killers. Rankings in it collect a recognizable set of tags: Jump scares, Gross, Tense, Rewatchable. In the "Which was scarier?" head-to-head, slashers often split scare from love hardest: a film can sit low on your scare list and still get a heart (Loved), which is the usual fate of a sequel you have seen nine times. That is the subgenre working as intended. A good marathon is a run through one franchise ranked in order, and the guide to horror marathons covers how to pace it.

Questions people ask

What was the first slasher?

Critics argue. Psycho (1960), Black Christmas (1974) and The Texas Chain Saw Massacre (1974) are the usual candidates, with Halloween (1978) setting the formula.

Is a slasher always a horror film?

Nearly always, though the subgenre overlaps with thrillers about serial killers and with horror comedy.

Are slashers scary or just gory?

Both and neither, depending on the film. The best ones run on suspense; the worst ones run on the kill count.

Rank what scared you.

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The popcorn-bag man jolting back on a sofa mid jump scare, popcorn and remote flying